![]() ![]() The Boss Katana has 15 built-in effects.The Blackstar ID Core has 6 channels: clean warm, clean bright, crunch 1, crunch 2, overdrive 1 and overdrive 2.Each channel comes with a variation setting, which adds more brightness to each mode. The Boss Katana has 5 main channels: acoustic, clean, crunch, lead and brown.Featureīoss Katana vs Blackstar ID Core Modes/ Channels Here is a table comparing the features of each range. The ID Core comes in 10W, 20W, 40W and 100W combo sizes and the Katana comes in 50W and 100W combo sizes and a 100W head unit option. The Boss Katana is better if you want more effects. The Blackstar ID Core is better for beginners as it comes in smaller sizes and starts at a lower price. USB for connecting to a computer to edit effects settings, download effects at or bosstoneexchange.The Boss Katana and Blackstar ID Core ranges are two very popular choices if you are looking for a solid state modelling amp which comes with a wide variety of effects. EXTRAS: Handy power-scaling switch allows for power-stage saturation at reduced volume.wah-wah, pitch shift), ¼” headphone jack, ¼” power-amp in I/O: ¼” input, ¼” line-out, USB, 1/8” aux-in, ¼” jack for GA-FC EX foot-controller, ¼” jack for optional expression-pedal (to control volume.Panel button for current knob configuration or for switching banks A/B Tone Setting buttons: Ch1-Ch2 (bank A), Ch1-Ch2 (bank B). Effects section: booster button/knob, mod button/knob, FX button/ knob, delay button/knob, reverb button/knob. CONTROLS: Amplifier section: gain, volume, bass, middle, treble. ![]() (Image credit: BOSS/Roland) Specifications It’s a worthy investment for an amplifier that has so much to offer in a small, powerful and affordable package. While it adds significantly to the cost of the Katana, the advantages of the GA-FC EX include instant access to presets via the four lighted channel switches, the ability to adjust effects in real-time and use multiple expression pedals, and more. ![]() Obviously it’s helpful to set up a few presets for amp/effects pairings, and it’s pretty much essential to have a foot controller to manage things onstage. It works the same for the FX selections (tremolo, phaser 90E, T.Wah, flanger 117E, heavy octave, pitch shifter), the delays (digital delay, SDE-3000, analog delay, tape echo, modulated) and the reverbs, which include three plate, two hall and one spring simulation. From there, pressing the panel button selects bank A or B. With each press of the button, a corresponding LED changes color, from green to red to orange, to indicate the active effects. ![]() On the six mod selections (chorus, DC-30, phaser 90E, comp, flanger 117E, limiter), depth is the inner ring. The factory effects configurations are as follows: For the six booster selections (blues drive, clean boost, overdrive, mid boost, distortion, treble boost), depth is the outer ring. Operation is straightforward: Press the booster, mod, delay, FX or reverb button located above each knob to select the desired effect type, then turn the respective knob to adjust the depth. The MkII amps all have 60-plus Boss effects onboard, and you can use five types of effects simultaneously. The effects section has two concentric controls – booster/mod and FX/delay – and a dedicated reverb knob. Note that “secret” access to Ch3 and Ch4 is available by connecting the optional Boss GA-FC ($124) or GA-FC EX ($149) foot controllers. Pressing the panel button toggles between banks A and B. The Ch1 and Ch2 buttons capture all the top panel knob/button settings (except master) when you press and hold either one for about a second. You can store and recall a total of four presets on this amp: two in bank A and two in bank B. I also liked using the acoustic model with a Takamine TSP 138C, which sounded great with variation activated to give it more punch-through presence onstage.Īfter landing on a few sounds I wanted to use, the tone setting buttons (labeled Ch1 and Ch2) facilitated saving them as presets. Using a Strat, Tele and a PRS SE McCarty 594, the Katana MkII sounded good for live playing using mainly the clean, crunch and brown models, almost always with reverb on the spring setting and delay on the tape setting. ![]()
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